Archives par étiquette : transmediality

Appel à communication : 2 Sessions at Historians of Netherlandish Art

Gerrit Dou, Sleeping Dog, 1650, oil on panel, Naples (Mass., USA), Eijk and Rose-Marie van Otterloo Collection

Type : Appels à communication

Date imite de l’appel : 15 mai 2017 – 1er juin 2017

Date de la communication : 24 – 26 mai 2017 – 26 mars 2018

Lieu : Gand, Historians of Netherlandish Art

[1] Transmediality in Global Netherlandish Art

From: Dawn Odell <dvo@lclark.edu>

Date: Mar 20, 2017

Subject: CFP: Call For Papers – Historians of Netherlandish Art, Ghent

Deadline: Jun 1, 2017

A central challenge of a global history of early modern art is how to integrate macro-historical and long-distance approaches with the micro-historical analysis of individual works and their makers. One way of connecting cross-cultural exchanges to the technical, stylistic, and thematic aspects of objects is to focus on ‘transmediality’, or the crossovers between media to which the works’ cultural biographies testify. Drawings were turned into prints and paintings of varying sizes; forms and themes were reshaped in new materials; the materials themselves were imitated or even forged; and boundaries between painting, architecture, and the applied arts were crossed or ignored. Continuer la lecture