Michiel Coxcie, David et Goliath, huile sur panneau, 139 x 106 cm, Real Monasterio de San Lorenzo de El Escorial
Type : colloque international. Inscription (payante) : du 20 décembre 2016 au 26 janvier 2017. Date de la manifestation : 9-10 février 2017. Lieu : Royal Institute for Cultural Heritage (KIK-IRPA), Brussels.
Lunch, morning and afternoon teas on Thursday and Friday are included in the registration fee, as well as the reception on Friday and the preprint abstracts
Price: 75 €.
09:00 Registration & coffee
09:30 Welcome by Christina Ceulemans (Director-General of KIK-IRPA)
09:40 Didier Martens (Université Libre de Bruxelles), Jalons pour une histoire de la copie de Primitifs flamands en Espagne, depuis l’époque des Rois Catholiques jusqu’à Philippe IV
10:20 Questions and discussion Continuer la lecture →
VAN GINHOVEN Sandra, Connecting Art Markets. Guilliam Forchondt’s Dealership in Antwerp (c.1632–78) and the Overseas Paintings Trade, Leiden, Brill, 2016, 330 p.
Présentation de l’éditeur :
Based on Guilliam Forchondt’s surviving business documentation in Antwerp and applying an aggregate and data-driven approach, Connecting Art Markets focuses on the role of art dealers in mediating the supply and demand for art, behaving in particular ways as to influence the markets for artworks in which they were strategically invested. Van Ginhoven presents her findings on Guilliam Forchondt’s workshop production volumes and transatlantic art trade flows, and evaluates the relationship between the production paintings in the Southern Netherlands, their local, regional and overseas distribution channels, and the markets for these works in Europe and the Americas during the seventeenth century.
Sandra van Ginhoven, Ph.D (2015), Duke University, is a lecturer at Erasmus University Rotterdam. She has published articles on the role of art dealers and her research at the intersection between art history and economics engages tools for data analysis and visualization.