Archives par étiquette : RSA

Appel à communication pour le RSA : Collecting and Display of Small, Portable Objects (15th–17th century) (Dublin, 7–10 avril 2021)

Willem van Haecht, Apelles Painting Campaspe, c. 1630, oil on panel, Mauritshuis, The Hague, détail.

Type : appel à communication.
Date limite de l’appel : 30 juillet 2020.
Date de l’événement : 7-10 avril 2021.
Lieu :  Dublin.

Renaissance Society of America Conference 

Collecting and Display of Small, Portable Objects (15th–17th century)

The taste for small objects, such as gems, jewels, coins, small antiquities, statuettes and miniature works of art is evident in leading collections from the fifteenth through the seventeenth centuries. The materiality of small precious objects and their portability raise questions about the dynamics and the reasons behind the taste for small things, addressing concepts of intimacy, privacy and public access in relation to the display of these objects, as well as questions about their significance in periods of uncertainty. Long-standing scholarship on collections has focused on their legacies, while less attention has been paid to the status of these objects and to the way in which objects may have been valued for their diminutive size, movability, or even disposability. The topic for these sessions raises new questions about the appeal of collecting and displaying such works of art.

We invite proposals that consider the following:

  • The significance and value of gems, cameos, medals, and other small works of art, as contrasted to paintings or large-scale sculpture
  • Collecting reduced copies of well-known sculpture and the ways in which these miniatures altered the collector’s relationships with and perceptions of the original
  • Collecting across different scales and the display of miniature collections
  • Moveable works of art and mobility of works of art within a collection
  • The transformation of collections through small, precious objects during periods of change
  • Collections perceived as disposable and exchangeable
  • The safeguard of inheritances and collections
  • Dislocation and re-interpretation of collections

Proposals should be for 20-minute papers and must include a title, abstract of no more than 150 words, keywords and a one-page CV. Speakers will need to be members of RSA and members of The Society for the History of Collecting at the time of the conference.

Please send your submission before 30 July 2020 to Adriana Turpin (adrianaturpin@gmail.com), Sophia Quach McCabe (sqmccabe@gmail.com), and Alice Ottazzi (alice.otz@gmail.com).

Applicants will be notified by 10 August.

Appel à communication : Session at RSA

Caspar Netscher, La Dentellière, 1662, huile sur toile, 33 x 27 cm, Londres, Wallace Collection.

Type : Appel à communication

Date limite de l’appel : 22 mai 2017

Date de l’événement : 22 – 24 mars 2018

Lieu : Nouvelle Orléans

Northerners in Italy: Negotiating Style, Art Markets, and Comunità Historians of Netherlandish Art (HNA) Sponsored Session

The lure of Italy enticed hundreds of northern European artists to cross the Alps during the early modern period in search of artistic inspiration and fame in centers such as Venice, Rome, and Florence. How these artists negotiated their new surroundings, however, depended upon economic and social factors specific to each particular center. Recent studies focused upon artistic migration, emerging art academies, and expanding art markets in Italy have highlighted how complex and mercurial this process could be. However, a broader study that identifies consistent patterns concerning artistic mobility is still needed. This session seeks to address this lacuna, probing further the process of acclimation for northern European artists in Italy and the effect of travel on artistic practice and theory. Continuer la lecture

Appel à communication : Sessions at RSA (New Orleans, 22-24 Mar 18)

Nicolas Poussin, Paysage avec Diogène, 1648, huile sur toile, Paris, musée du Louvre.

Type : Appels à communication

Date limite de l’appel : respectivement 26 mai et 2 juin

Date de l’événement : 22 – 24 mars 2018

Lieu : Nouvelle Orléans

[1] New Directions in Representation of the Italian Landscape [2] Bloodlines: Re-Framing Artists’ Families in the Early Modern Period 

[1] New Directions in Representation of the Italian Landscape

From: Melissa Yuen <melissa.yuen@stanford.edu>

Session Sponsored by the Italian Art Society

Images of the Italian landscape, both real and imagined, have been the subject of many fruitful investigations, from research on broad trends and refined definitions to focused monographs on individual artists. Recent studies have shed new light on the display of landscape paintings in palaces and villas, artistic practice, professional networks, and the intersections between antiquity and natural history. In particular, research into the growing interest in empirical study and the interpretation of nature in early modern Italy has led to a greater understanding of representations of the natural world. This panel seeks papers that build on these themes and present new ways to reconsider the portrayal of the landscape and landscape artists working in Italy. Continuer la lecture