Rembrandt van Rijn, Clement de Jonghen, eau-forte, 1651, © MAH
Type : Conférence internationale
Date : 5 novembre 2015, 15 h 00 – 18 h 00
Lieu : 612 Schermerhorn Hall, Columbia University 116th Street & Broadway,
Organisation : The Miriam and Ira D. Wallach Art Gallery in conjunction with the exhibition, Rembrandt’s Changing Impressions and IFPDA print fair.
This symposium will spark a new and closer look at Rembrandt’s astonishing print practice, its context, and its contributions.
– Hercules Segers and Rembrandt – Direct Influence or Kindred Spirits? Nadine M. Orenstein, Drue Heinz Curator in Charge, Department of Drawings and Prints, The Metropolitan Museum of Art, New York.
– St. Jerome in Darkness and Light: Clifford S. Ackley, Ruth and Carl J. Shapiro Curator of Prints and Drawings, Museum of Fine Arts, Boston
– Rembrandt and the Faust Tradition: Robert Fucci, exhibition curator
– Edme-François Gersaint as Chroniqueur of Knowledge about Rembrandt’s Etchings: Erik Hinterding, Curator of Prints, Rijksmuseum, Amsterdam
– Desire and Disgust: Collecting Rembrandt’s Etchings in Georgian England: Stephanie Dickey, Professor of Art History and Bader Chair in Northern Baroque Art, Queen’s University, Kingston, Ontario
– Rembrandt as Experimental Etcher: Jan Piet Filedt Kok, former Curator of Prints and Director of Collections, Rijksmuseum, Amsterdam
Reception and viewing to follow at The Wallach Art Gallery at 6 PM.
Rembrandt’s Changing Impressions, on view through December 12, is curated by Art History PhD candidate Robert Fucci. This extraordinary project highlights Rembrandt’s most dramatically altered prints. It gathers 52 17th-century impressions from 14 major U.S. collections to best examine his manipulations and transformations, and is an unprecedented opportunity to examine the range, power, and nuance of Rembrandt’s fine prints.”