Jean-Michel Papillon, Planche ornementale à motif floral avec pavots et ipomées, 1707, gravure sur bois en couleurs, 25 x 14 cm, Paris, Bibliothèque nationale de France, département des Estampes et de la photographie.
Type : colloque. Date de l’événement : 13 et 14 septembre 2019. Lieu : Archives nationales – Site de Pierrefitte-sur-Seine, 59 rue Guynemer, 93380 Pierrefitte-sur-Seine.
Vendredi 13 septembre
9h00 Accueil des participants
9h30 Introduction au colloque
1. Statut & techniques
Session présidée par Bertrand Tillier (Université Paris 1 Panthéon Sorbonne)
10h – Maxime Georges Métraux (Sorbonne Université / Galerie Hubert Duchemin)
Type : Appel à communication. Date de la manifestation : 4 mars 2017. Lieu : Warwick, university of Warwick. Date limite : 31 août 2016.
For Italy, the ‘long seventeenth century’ was a period of considerable financial challenges. This was especially evident on the book market. Nevertheless, thanks to new techniques and formats which mutually related text and images within the same publication, innovative genres were born that were marketed towards both ends of the audience spectrum, from the learned to the illiterate.
‘More than meets the page: Printing Text and Images in Italy, 1570s-1700s’ aims to investigate the ways in which the consolidation of the book and print trade influenced the development of such new book genres from the late sixteenth to the early eighteenth century. The products emerging in the wake of these processes reached consumers throughout distant countries, between Italy and the rest of Europe. Moreover, various professionals and skilled workers earned their living thanks to the print market, from the production to the distribution of printed items. For instance, workshops of woodcutters specialized exclusively in book illustrations, such as for scientific treatises, and publishers regularly sent participants to fairs throughout Europe. The new commercial items, moreover, contributed to the spread of cultural phenomena, for instance the Grand Tour through its souvenir prints that were sometimes incorporated in atlases. Continuer la lecture de Appel à communication : “More than meets the page : Printing Text and Images in Italy, 1570s-1700s”.
PAPIRO Martina, Choreographie der Herrschaft. Stefano della Bellas Radierungen zu den Reiterfesten am Florentiner Hof 1637-1661, Munich, Wilhelm Fink, 2016, 491 p.
Présentation de l’éditeur :
Der Graphiker Stefano della Bella (1610–1664) schuf die Radierungen zu den Reiterfesten des Florentiner Hofs, die der Illustration gedruckter Festbeschreibungen dienten. Solche Auftragswerke waren im 17. Jahrhundert längst etablierte Formen höfischer Repräsentation. Doch della Bellas Radierungen setzten in der Festpublizistik neue Maßstäbe: Erstmals wurden nicht nur die Kostüme und Dekorationen dokumentiert, sondern auch die Aufführungen selbst. Konzept und Choreographie der Reiterfeste fanden auf della Bellas Blättern eine eigenständige künstlerische Umsetzung. Martina Papiro analysiert die Darstellungsstrategien della Bellas und untersucht Kontext, Funktionsweisen und die europaweite Rezeption seiner innovativen Radierungen.
Frontispice de VASARI Giorgio, Le Vite de piu eccellenti pittori, 1568.
Type : Journée d’étude interdisciplinaire Date de la journée : 4 mars 2017 Date limite d’envoi des propositions : 31 août 2016 Lieu : University of Warwick, Coventry CV4 7AL, Royaume-Uni Organisation : Rebecca Carnevali et Gloria Moorman (Centre for the Study of the Renaissance, University of Warwick)
Key-note speakers : Dr Marika Keblusek (Leiden University) and Dr Angela McShane (RCA/V&A)
For Italy, the ‘long seventeenth century’ was a period of considerable financial challenges. This was especially evident on the book market. Nevertheless, thanks to new techniques and formats which mutually related text and images within the same publication, innovative genres were born that were marketed towards both ends of the audience spectrum, from the learned to the illiterate.