Archives par étiquette : patrons

Conférence : Women Artists and Patrons at the Late Medici Court

Justus Sustermans, Vittoria della Rovere, XVIIe siècle.

Type : Conférence

Date : 21 avril 2017, 10 – 17h30

Lieu : Florence, The Medici Archive, Palazzo Alberti, via de’ Benci, 10.

Announcing the 2017 Jane Fortune Conference, organized by The Medici Archive Project: « A Legacy of Ladies: Women Artists and Patrons at the Late Medici Court

The 2017 Jane Fortune Conference examines the deep imprint that women left on the artistic ferment of Baroque Florence, beginning under the regency of Archduchess Maria Maddalena of Austria and continuing through the last years of Electress Palatine. To do so, it will explore the cultural agency of both female patrons at the Medici court and the women artists who flourished there, from the mid seventeenth century to the early eighteenth century. Continuer la lecture

Publication : « Women Artists in Early Modern Italy : Careers, Fame, and Collectors ».

BARKER Sheila (dir.), Women Artists in Early Modern Italy : Careers, Fame, and Collectors, Turnhout, Brepols, 2016, 176 p.

BARKER Sheila (dir.), Women Artists in Early Modern Italy : Careers, Fame, and Collectors, Turnhout, Brepols, 2016, 176 p.

Présentation de l’éditeur :

Enhancing our understanding of early Italian female painters including Sofonisba Anguissola and introducing new ones such as Costanza Francini and Lucrezia Quistelli, this volume studies women artists, their patrons, and their collectors, in order to trace the rise of the social phenomenon of the woman artist.

In ten chapters spanning two centuries, this collection of essays examines the relationships between women artists and their publics, both in early modern Italy as well as across Europe. Drawing upon archival evidence, these essays afford abundant documentary information about the diverse strategies that women found for carrying out their artistic careers, from Sofonisba Anguissola’s role as a lady-in-waiting at the court of Felipe II of Spain, to Lucrezia Quistelli’s avoidance of the Florentine market in favor of upholding the prestige of her family, to Costanza Francini’s preference for the steady but humble work of candle painting for a Florentine confraternity.

Continuer la lecture