Archives par étiquette : painter

Publication : “The Medici’s Painter Carlo Dolci and Seventeenth-Century Florence”.

STRAUSSMAN-PFLANZER Eve (dir.),The Medici's Painter Carlo Dolci and Seventeenth-Century Florence,New Haven, Yale University Press, 2017, 128 p.

STRAUSSMAN-PFLANZER Eve (dir.),The Medici’s Painter Carlo Dolci and Seventeenth-Century Florence,New Haven, Yale University Press, 2017, 128 p.

Présentation de l’éditeur : 

Carlo Dolci (1616–1687), arguably the greatest painter in 17th-century Florence, was admired and patronized by the city’s leading families. Best known for his half-length and single-figure devotional pictures, Dolci was also a gifted painter of altarpieces and portraits.

Written by a team of distinguished scholars, The Medici’s Painter offers new archival discoveries and insights and features cross-disciplinary approaches to Dolci’s life and art and the cultural and political contexts in which he worked. The volume sheds new light on Dolci’s significant and impressive body of work. The painter understood the power of his paintings to inspire contemporaries, and his works continue to compel individuals to look closely and feel deeply about art.

Eve Straussman-Pflanzer is head of the European Art Department and Elizabeth and Allan Shelden Curator of European Paintings, Detroit Institute of Arts.

Plus d’informations sur le site de l’éditeur.

Publication : “Rembrandt : The Painter Thinking”.

VAN DE WETERING Ernst, Rembrandt : The Painter Thinking, Berkeley, University of California Press, 2016, 340 p.

VAN DE WETERING Ernst, Rembrandt : The Painter Thinking, Berkeley, University of California Press, 2016, 340 p.

Présentation de l’éditeur :

Even during the artist’s lifetime, contemporary art lovers considered Rembrandt van Rijn to be an exceptional artist. In this revelatory sequel to the acclaimed Rembrandt : The Painter at Work, renowned Rembrandt authority Ernst van de Wetering investigates precisely why the artist, from a very early age, was praised by prominent connoisseurs. He argues that Rembrandt, from his very first endeavors in painting, embarked on a journey past all the foundations of the art of painting that, according to (up until now misinterpreted) contemporary written sources, were considered essential in the seventeenth century. Rembrandt never stopped searching for solutions to the pictorial problems that confronted him; this led over time to radical changes in course that can’t simply be attributed to stylistic evolution or natural development. In a quest as rigorous and novel as the artist’s, van de Wetering reveals how Rembrandt became the best painter the world had ever seen. Gorgeously illustrated throughout, this groundbreaking exploration reconstructs Rembrandt’s closely guarded theories and methods, shedding new light both on the artist’s exceptional accomplishments and on the practice of painting in the Dutch Golden Age.

Ernst van de Wetering is Professor Emeritus of Art History at the University of Amsterdam and Chairman of the Rembrandt Research Project. The author of the widely acclaimed Rembrandt : The Painter at Work, he is considered one of the world’s foremost specialists on Rembrandt and his oeuvre.

Plus d’informations sur le site de l’éditeur.