Appel à communication : Session at SAH : The Architecture of Commercial Networks 1500–1900

Le Commerce que les Indiens du Mexique font avec les François au Port de Mississipi, 1717, gravure, 45,5 x 83 cm, Paris, Bibliothèque nationale de France.

Type : Appel à communication

Date limite de l’appel : 15 juin 2017

Date de l’événement : 18 – 22 avril 2018

Lieu : Minnesota, Saint Paul, International Conference Society of Architectural Historians

The Architecture of Commercial Networks 1500–1900

Improvements in communications and transport technology during the early modern period enabled new forms of global connectedness. Exploiting these technologies, European kingdoms were able to extend their reach and influence throughout the world, establishing lucrative markets for exotic goods. Embedded within the processes of imperial expansion and international commercial competition were sophisticated networks of trade relations, embracing metropolitan financial centers and local markets. Characteristic of this chain of transaction were the buildings that gave it physical form—a facilities infrastructure that enabled the processing, storage, and shipment of goods.

This session invites proposals that engage directly with the history of trade and infrastructural architectures in the context of commercial networks. It asks participants to consider ideas of spatial integration and common enterprise that such networks relied upon and engendered.
Questions include: in what ways were buildings concerned with trade shaped by their location within wider networks of related structures? What role did standardization and seriality play in the erections of such buildings? How did corporate identity affect type, style, and ornamentation? And, what relationships existed between spatial organization and technical specification in the ordering, processing, and conservation/preservation of goods?

The session especially welcomes proposals that engage wider historiographic frames of reference, such as regional, oceanic, and World/Global historiographies, methods of cultural and historical geography, the history of ‘things,’ as well as economic and business history, to provide further insight into the extended and systematized nature of networked space. This may include consideration of the colossal joint-stock corporations of the early modern period, such as the Asian and African trading companies of Britain, Holland, and France; smaller national and international mercantile syndicates of early modern Europe; or, later in the nineteenth century, large-scale agricultural, transportation, and mining corporations operating in Africa, the Americas, and Australasia.

Session Chairs: G. A. Bremner, University of Edinburgh, and Katie Jakobiec, University of Oxford

Please submit an abstract through the SAH website
Deadline: 15 June 2017, at 5pm CDT.—-saint-paul/2018-call-for-papers#40

Appel à communication : Art History Graduate Symposium

Louis-Michel van Loo, Portrait de Louis XV (1710 – 1774), XVIIIe siècle, huile sur toile, 198,3 x 142,5 cm, Versailles, Châteaux de Versailles et de Trianon.

Type : Appel à communication

Date limite de l’appel : 15 juin 2017

Date de l’événement : 29 – 30 septembre 2017

Lieu : Minnesota, Saint Paul, University of St. Thomas

The University of St. Thomas Department of Art History will host its eighth annual Graduate Student Research Symposium, Exhibiting Power, on September 30, 2017 Keynote Speaker: Robert Rydell, Professor of History & Director, Humanities Institute, Montana State University Power hungry. Power grab. Power in numbers. Soft power. Displays of power. The start of 2017 has brought the issue of “power” to the forefront of political, cultural, economic, entertainment, and social debates. Yet, the issue of “power” in art history and museum studies has long been a topic of scholarly research and discussion. Art History has asked how images and objects can visually explain power through signs and symbols, as well as through association with artistic movements and artist groups. Museums, likewise, have questioned their own role in exhibiting power through the examination of display practices, educational models, community-based partnerships, and innovative use of space. In a rapidly changing world, how do art history and museum studies rely on the past for lessons in exhibiting power, while also representing power in new ways? Continuer la lecture de Appel à communication : Art History Graduate Symposium

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