Georgian Dublin is synonymous with a period of unprecedented expansion in the market for luxury goods. At a time when new commodities, novel technologies, and fashionable imports seduced elite society, silver enjoyed an established association with gentility and prestige. Earlier studies have focused predominantly on the issue of style. This book considers the demand for silver goods in Georgian Ireland from the perspectives of makers, retailers, and consumers. It discusses the practical and symbolic uses of silverware, interpreted through contemporary guild accounts, inventories, trade ephemera, and culinary manuscripts. For the first time the activities of Dublin’s goldsmiths and their customers are considered in the context of the British Isles, acknowledging Dublin’s ‘second city’ status in relation to London. How did the availability of new products like English porcelain and Sheffield Plate affect the demand for silver in Dublin, and how did silver imports from London affect the Dublin trade? To what extent do the practices of Dublin goldsmiths mirror their North American counterparts seeking to infer associations with the fashionable metropolis of London? Drawing on an extensive range of documentary and object evidence this wide-ranging analysis considers the context in which silver goods were made, used, valued, and displayed in Georgian Ireland.
Louis XIV —the ‘Sun King’— casts a long shadow over the history of seventeenth- and eighteenth-century Europe. Yet while he has been the subject of numerous works, much of the scholarship remains firmly rooted within national frameworks and traditions. Thus in France Louis is still chiefly remembered for the splendid baroque culture his reign ushered in, and his political achievements in wielding together a strong centralised French state; whereas in England, the Netherlands and other protestant states, his memory is that of an aggressive military tyrant and persecutor of non-Catholics.
In order to try to break free of such parochial strictures, this volume builds upon the approach of scholars such as Ragnhild Hatton who have attempted to situate Louis’ legacy within broader, pan-European context. But where Hatton focused primarily on geo-political themes, Louis XIV Outside In introduces current interests in cultural history, integrating aspects of artistic, literary and musical themes. In particular it examines the formulation and use of images of Louis XIV abroad, concentrating on Louis’ neighbours in northwest Europe. This broad geographical coverage demonstrates how images of Louis XIV were moulded by the polemical needs of people far from Versailles and distorted from any French originals by the particular political and cultural circumstances of diverse nations. Because the French regime’s ability to control the public image of its leader was very limited, the collection highlights how—at least in the sphere of public presentation—his power was frequently denied, subverted, or appropriated to very different purposes, questioning the limits of his absolutism which has also been such a feature of recent work.
Introduction : Louis XIV Upside Down? Interpreting the Sun King’s Image, Tony Claydon and Charles-Édouard Levillain.
1. Image Battles under Louis XIV : Some Reflections, Hendrik Ziegler.
2. Francophobia in Late-17th-Century England, Tim Harris.
3. ‘We Have Better Materials for Clothes, They, Better Taylors’ : The Influence of La Mode on the Clothes of Charles II and James II, Maria Hayward.
4. The Court of Louis XIV and the English Public Sphere: Worlds Set Apart ?, Stéphane Jettot.
5. Popular English Perceptions of Louis XIV’s Way of War, Jamel Ostwald.
6. Louis XIV, James II and Ireland, D.W. Hayton.
7. Lampooning Louis XIV : Romeyn de Hooghe’s Harlequin Prints, 1688–89, Henk van Nierop.
8. Foe and Fatherland: The Image of Louis XIV in Dutch Songs, Donald Haks.
9. Amsterdam and the Ambassadors of Louis XIV 1674–85, Elizabeth Edwards.
10. Millenarian Portraits of Louis XIV, Lionel Laborie.