Archives par étiquette : COPIMONARCH

Appel à communication : “Copies of Flemish Masters in the Hispanic World 1500-1700”.

Michael Coxie (1499-1592) d'après Hubert et Jan van Eyck, L'Adoration de l'agneau, 1558, Berlin, Gemäldegalerie.

Michael Coxie (1499-1592) d’après Hubert et Jan van Eyck, L’Adoration de l’agneau, 1558, Berlin,
Gemäldegalerie.

Type : Appel à communication.
Date de la manifestation : 9 et 10 février 2017.
Lieu : Bruxelles, Royal Institute for Cultural Heritage (KIK-IRPA).
Date limite : 15 septembre 2016.

On 9 and 10 February 2017 an international conference will be held on the copies of paintings of Flemish masters during the sixteenth and the seventeenth centuries related to the Hispanic world. The event will take place at the Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels and is organized in collaboration with the Spanish National Research Project COPIMONARCH. La copia pictórica en la Monarquía Hispánica, siglos XVI-XVIII (I+D HAR2014-52061-P) from the Universidad de Granada.

The artistic heritage of the regions that once formed part of the former Spanish Empire includes a large number of painted copies after Flemish masters made during the sixteenth and the seventeenth centuries. Most of these works have received little attention even though they constitute a valuable source for understanding the artistic influence of the Southern Netherlands on Spanish and Latin American art and society in this period. Indeed, the study of copies of Flemish masters sheds light on a number of art historical issues, including the means of diffusion of artistic models, stylistic trends and the dynamics of the art market and the world of collecting. These copies are a valuable testimony to the political, commercial and cultural ties that existed between the Hispanic territories and the Southern Netherlands. Continuer la lecture