Archives par étiquette : catalogue raisonné

Publication : « The Prints of Paul Sandby (1731–1809) : A Catalogue Raisonné ».

GUNN Ann, The Prints of Paul Sandby (1731–1809) : A Catalogue Raisonné, Turnhout, Brepols, 2016, 339 p.

GUNN Ann, The Prints of Paul Sandby (1731–1809) : A Catalogue Raisonné, Turnhout, Brepols, 2016, 339 p.

Présentation de l’éditeur :

Born in Nottingham, Paul Sandby (1731–1809) is best known as a founder member of the Royal Academy and a prominent figure in the development of British watercolour painting. However, he was also one of the most prolific and inventive printmakers in eighteenth-century Britain. From his early years as a draughtsman for the military survey of Scotland, and later from his extensive tours throughout England and Wales, he depicted the people, towns, castles, and landscapes of the nation. He provided the public with images of their country which contributed to the emerging appreciation of native landscape, to antiquarian interests, and to the development of picturesque tours within the British Isles. Although he never travelled abroad, he reproduced the work of fellow artists who had, tapping into the Grand Tour market with prints of Ionian antiquities, Neapolitan landscapes, and the Roman carnival. But his work encompassed more than landscape; he could move from the pastoral humour of illustrations to Allan Ramsay’s poem The Gentle Shepherd, through the urban realism of his Cries of London to the merciless satire of his attacks on William Hogarth. From the 1740s to the 1780s, he made over 380 prints: engravings, etchings, soft ground etchings, and finally aquatints, a medium in which he was a pioneer. Aquatint enabled printmakers to reproduce the effects of watercolour paintings; Sandby gave the process its name and developed varied techniques which allowed the exact reproduction of the artist’s brush strokes, producing some of the most beautiful prints ever made in this medium.

Ann V. Gunn, a lecturer at the University of St Andrews, has worked as Keeper of Art at Nottingham City Museums, Assistant Registrar at Princeton Art Museum, and Registrar of the University of St Andrews Art Collection. She also ran her own gallery, which specialised in contemporary Scottish art. She is Honorary Curator of the University’s Fine Art Collection. She is also Chair of Fife Contemporary Art & Craft and a member of the Fife Committee of the Art Fund. She is the author of The Prints of Wilhelmina Barns-Graham: A Complete Catalogue (2007).

Plus d’informations sur le site de l’éditeur.

Publication : Jean-Baptiste Jacques Augustin, 1759-1832. Une nouvelle excellence dans l’art du portrait en miniature.

PAPPE Bernd,       Jean-Baptiste Jacques Augustin, 1759-1832. Une nouvelle excellence dans l'art du portrait en miniature., Vérone, Scripta, 2015, 384 p.

PAPPE Bernd, Jean-Baptiste Jacques Augustin, 1759-1832. Une nouvelle excellence dans l’art du portrait en miniature., Vérone, Scripta, 2015, 384 p.

Présentation de l’éditeur :

En sus des chapitres évoquant sa vie et sa carrière, l’auteur traite de la technique picturale du peintre et de son atelier parisien fréquenté par de très nombreux élèves. Il nous fait part également des commentaires émis à l’encontre de ses ouvres exposées aux Salons, évoque son esprit entreprenant et novateur, puis dédie un chapitre aux autres artistes de sa famille. Grâce à plus de 1200 réalisations que le catalogue raisonné répertorie, il nous est enfin donné de saisir toute l’ampleur de l’ouvre du grand miniaturiste. Bien des pièces de sa production sont ici révélées pour la première fois. Le livre est complété par une liste des clients d’Augustin, ainsi qu’un registre de ses élèves.

Pour en savoir plus, rendez-vous sur le site de l’éditeur.