Archives par étiquette : Australie

Appel à communication : Session at SAH : The Architecture of Commercial Networks 1500–1900

Le Commerce que les Indiens du Mexique font avec les François au Port de Mississipi, 1717, gravure, 45,5 x 83 cm, Paris, Bibliothèque nationale de France.

Type : Appel à communication

Date limite de l’appel : 15 juin 2017

Date de l’événement : 18 – 22 avril 2018

Lieu : Minnesota, Saint Paul, International Conference Society of Architectural Historians

The Architecture of Commercial Networks 1500–1900

Improvements in communications and transport technology during the early modern period enabled new forms of global connectedness. Exploiting these technologies, European kingdoms were able to extend their reach and influence throughout the world, establishing lucrative markets for exotic goods. Embedded within the processes of imperial expansion and international commercial competition were sophisticated networks of trade relations, embracing metropolitan financial centers and local markets. Characteristic of this chain of transaction were the buildings that gave it physical form—a facilities infrastructure that enabled the processing, storage, and shipment of goods.

This session invites proposals that engage directly with the history of trade and infrastructural architectures in the context of commercial networks. It asks participants to consider ideas of spatial integration and common enterprise that such networks relied upon and engendered.
Questions include: in what ways were buildings concerned with trade shaped by their location within wider networks of related structures? What role did standardization and seriality play in the erections of such buildings? How did corporate identity affect type, style, and ornamentation? And, what relationships existed between spatial organization and technical specification in the ordering, processing, and conservation/preservation of goods?

The session especially welcomes proposals that engage wider historiographic frames of reference, such as regional, oceanic, and World/Global historiographies, methods of cultural and historical geography, the history of ‘things,’ as well as economic and business history, to provide further insight into the extended and systematized nature of networked space. This may include consideration of the colossal joint-stock corporations of the early modern period, such as the Asian and African trading companies of Britain, Holland, and France; smaller national and international mercantile syndicates of early modern Europe; or, later in the nineteenth century, large-scale agricultural, transportation, and mining corporations operating in Africa, the Americas, and Australasia.

Session Chairs: G. A. Bremner, University of Edinburgh, and Katie Jakobiec, University of Oxford

Please submit an abstract through the SAH website
Deadline: 15 June 2017, at 5pm CDT.

http://www.sah.org/conferences-and-programs/2018-conference—-saint-paul/2018-call-for-papers#40

Colloque : “Human Kind : Transforming Identity in British and Australian Portraits, 1700–1914”.

Stephen Slaughter, Portrait de Hans Sloane, 1736, huile sur toile, Londres, Portrait Gallery.

Stephen Slaughter, Portrait de Hans Sloane, 1736, huile sur toile, Londres, Portrait Gallery.

Type : colloque.
Date de la manifestation :
du jeudi 8 au dimanche 11 septembre 2016.
Lieu :
Melbourne, The University of Melbourne & National Gallery of Victoria.

Programme complet.

Programme concernant le XVIIIe siècle :

Keynotes
• David H. Solkin FBA Walter H Annenberg Professor of the History of Art, The Courtauld Institute of Art: ‘English or European? Portraiture and the Politics of National Identity in Early Georgian Britain’.
• Kate Retford Senior Lecturer, Department of History of Art, Birkbeck, University of London: ‘Conversing in and with the Landscape: Edward Haytley’s Portraits of The Brockman Family at Beachborough’.
• David Hansen Associate Professor, Centre for Art History & Art Theory, Australian National University: ‘Skin and Bone: Surface and Substance in Anglo-Colonial Portraiture’.
• Martin Myrone, Lead Curator, Pre-1800 British Art, Tate Britain, London ‘Portrait and Autograph: Art and Identity in the Age of Reform, c.1820–40’.
• Anne Gray Emeritus Curator, National Gallery of Australia, Canberra ‘The Two Titans of Australian Portraiture: Roberts and Lambert’.

Continuer la lecture