Archives par étiquette : Antwerp

Journée d’étude : “Architectural painting in the 16th and 17th century”.

Peeter Neefs le vieux, Intérieur d'une église gothique, XVIIe siècle, huile sur toile, 45 x 62 cm, Schwerin, Staatliches Museum, Kunstsammlungen, Schlösser und Gärten.

Peeter Neefs le vieux, Intérieur d’une église gothique, XVIIe siècle, huile sur toile, 45 x 62 cm, Schwerin, Staatliches Museum, Kunstsammlungen, Schlösser und Gärten.

Type : journée d’étude.
Date de la manifestation :
lundi 10 octobre 2016 à partir de 8h45.
Lieu :
Antwerp, Rubenianum.

Programme : 

08.45 Registration and coffee.

09.30 Welcome by Dr. Claire Baisier, director Museum Mayer van den Bergh.

Morning session

chair: Prof. em. Dr. Hans Vlieghe, Centrum Rubenianum.

09.45 Dr. Thomas Fusenig (Universität Münster)
Hans Vredeman de Vries as painter of illusionistic wall paintings in Antwerp.

10.10 Dr. Anna Koopstra (National Gallery, London)
New insights on Hendrik van Steenwijck the Younger’s use of prints as sources.

10.35 Dr. Joost Van der Auwera (Royal Museums of Fine Arts of Belgium) & Dr. Claire Baisier (Museum Mayer van den Bergh)
Sebastiaen Vrancx als architectuurschilder: nieuwe toeschrijvingen.

11.00 Coffee break.

11.30 Bernard Vermet (Stichting Cultuur Inventarisatie, Amsterdam)
Bartholomeus van Bassen, tussen Noord en Zuid.

11.55 Lorne Darnell (Leiden University)
An Uncanny Likeness: Pieter Saenredam, Hans Vredeman de Vries and the Gothic in Perspective.

12.20 Questions and discussion. Continuer la lecture

Publication : “Connecting Art Markets. Guilliam Forchondt’s Dealership in Antwerp (c.1632–78) and the Overseas Paintings Trade”.

VAN GINHOVEN Sandra, Connecting Art Markets. Guilliam Forchondt’s Dealership in Antwerp (c.1632–78) and the Overseas Paintings Trade, Leiden, Brill, 2016, 330 p.

VAN GINHOVEN Sandra, Connecting Art Markets. Guilliam Forchondt’s Dealership in Antwerp (c.1632–78) and the Overseas Paintings Trade, Leiden, Brill, 2016, 330 p.

Présentation de l’éditeur :

Based on Guilliam Forchondt’s surviving business documentation in Antwerp and applying an aggregate and data-driven approach, Connecting Art Markets focuses on the role of art dealers in mediating the supply and demand for art, behaving in particular ways as to influence the markets for artworks in which they were strategically invested. Van Ginhoven presents her findings on Guilliam Forchondt’s workshop production volumes and transatlantic art trade flows, and evaluates the relationship between the production paintings in the Southern Netherlands, their local, regional and overseas distribution channels, and the markets for these works in Europe and the Americas during the seventeenth century.

Sandra van Ginhoven, Ph.D (2015), Duke University, is a lecturer at Erasmus University Rotterdam. She has published articles on the role of art dealers and her research at the intersection between art history and economics engages tools for data analysis and visualization.


Plus d’informations sur le site de l’éditeur.