Publication : “Contamination and Purity in Early Modern Art and Architecture”.
Présentation de l’éditeur :
The concepts of purity and contamination preoccupied early modern Europeans fundamentally, structuring virtually every aspect of their lives, not least how they created and experienced works of art and the built environment. In an era that saw a great number of objects and people in motion, the meteoric rise of new artistic and building technologies, and religious upheaval exert new pressures on art and its institutions, anxieties about the pure and the contaminated – distinctions between the clean and unclean, sameness and difference, self and other, organization and its absence – took on heightened importance. In this series of geographically and methodologically wide-ranging essays, thirteen leading historians of art and architecture grapple with the complex ways that early modern actors negotiated these concerns, covering topics as diverse as Michelangelo’s unfinished sculptures, Venetian plague hospitals, Spanish-Muslim tapestries, and emergency currency. The resulting volume offers surprising new insights into the period and into the modern disciplinary routines of art and architectural history.
Lauren Jacobi is the Clarence H. Blackall Career Development Associate Professor of Architectural History in the History, Theory + Criticism section of the Department of Architecture at the Massachusetts Institute of Technology. Her first book is The Architecture of Banking in Renaissance Italy: Constructing the Spaces of Money (2019).
Daniel M. Zolli is Assistant Professor in the Department of Art History at The Pennsylvania State University. He is a specialist in early modern European art, with a particular focus on fourteenth-, fifteenth- and sixteenth-century Italy. He is preparing a monograph on theories and practices of material experimentation in Donatello’s workshops.
Citer ce billet Maxime Georges Métraux (2021, 17 février). Publication : “Contamination and Purity in Early Modern Art and Architecture”. Groupe de Recherche en Histoire de l'Art Moderne. Consulté le 28 février 2024, à l’adresse https://doi.org/10.58079/p71f
Maxime Georges Métraux
Doctorant en Histoire de l'art moderne (Université Paris IV –Sorbonne, Centre André Chastel – UMR 8150). Expert pour la galerie Hubert Duchemin et chargé d’enseignement à l'Université Paris-Est Marne-la-Vallée. Commissaire scientifique de l’exposition "Chic Emprise : Cultures, usages et sociabilités du tabac du XVIe au XVIIIe siècle" (22 juin - 23 septembre 2019) au musée du Nouveau Monde de La Rochelle.
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