Publication : “Aquatint Worlds: Travel, Print, and Empire, 1770–1820”.
Présentation de l’éditeur :
In the late 18th century, British artists embraced the medium of aquatint for its ability to produce prints with rich and varied tones that became even more stunning with the addition of color. At the same time, the expanding purview of the British empire created a market for images of far-away places. Book publishers quickly seized on these two trends and began producing travel books illustrated with aquatint prints of Indian cave temples, Chinese waterways, African villages, and more. Offering a close analysis of three exceptional publications—Thomas and William Daniell’s Oriental Scenery (1795–1808), William Alexander’s Costume of China (1797–1805), and Samuel Daniell’s African Scenery and Animals (1804–5)—this volume examines how aquatint became a preferred medium for the visual representation of cultural difference, and how it subtly shaped the direction of Western modernism.
Douglas Fordham is associate professor of art history at the University of Virginia.
Plus d’informations sur le site de l’éditeur.
OpenEdition vous propose de citer ce billet de la manière suivante :
Maxime Georges Métraux (4 novembre 2019). Publication : “Aquatint Worlds: Travel, Print, and Empire, 1770–1820”. Groupe de Recherche en Histoire de l'Art Moderne. Consulté le 5 octobre 2024 à l’adresse https://doi.org/10.58079/p6xs