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Publication : “Epic Landscapes : Benjamin Henry Latrobe and the Art of Watercolor”.

SIENKEWICZ Julia A., Epic Landscapes : Benjamin Henry Latrobe and the Art of Watercolor, Charlottesville, The University of Virginia Press, 2019, 288 p.

Présentation de l’éditeur :

Epic Landscapes is the first study devoted to architect Benjamin Henry Latrobe’s substantial artistic oeuvre from 1795, when he set sail from Britain to Virginia, to late 1798, when he relocated to Pennsylvania. Thus, this book offers the only extended consideration of Latrobe’s Virginian watercolors, including a series of complex trompe l’oeil studies and three significant illustrated manuscripts. Though Latrobe’s architecture is well known, his watercolors have received little critical attention. Epic Landscapes rediscovers Latrobe’s watercolors as an ambitious body of work and reconsiders the close relationship between the visual and spatial sensibility of these images and his architectural designs. It also offers a fresh analysis of Latrobe within the context of creative practice in the Atlantic world at the end of the eighteenth century as he explored contemporary ideas concerning the form of art for Republican society and the social impacts of revolution.

Julia Sienkewicz is Assistant Professor of Art History at Roanoke College.

Plus d’informations sur le site de l’éditeur.


OpenEdition vous propose de citer ce billet de la manière suivante :
Maxime Georges Métraux (22 septembre 2019). Publication : “Epic Landscapes : Benjamin Henry Latrobe and the Art of Watercolor”. Groupe de Recherche en Histoire de l'Art Moderne. Consulté le 11 octobre 2024 à l’adresse https://doi.org/10.58079/p6x2


Maxime Georges Métraux

Doctorant en Histoire de l'art moderne (Université Paris IV –Sorbonne, Centre André Chastel – UMR 8150). Expert pour la galerie Hubert Duchemin et chargé d’enseignement à l'Université Paris-Est Marne-la-Vallée. Commissaire scientifique de l’exposition "Chic Emprise : Cultures, usages et sociabilités du tabac du XVIe au XVIIIe siècle" (22 juin - 23 septembre 2019) au musée du Nouveau Monde de La Rochelle.

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