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Publication : “Reframing Seventeenth-Century Bolognese Art : Archival Discoveries”.

BOHN Babette (dirs.) et MORSELLI Raffaella (dirs.), Reframing Seventeenth-Century Bolognese Art : Archival Discoveries, Amsterdam, Amsterdam university press, 2019, 192 p.

Présentation de l’éditeur :

These ground-breaking essays, all based on original archival research, consider the evolving interest in Bolognese art in seventeenth-century Italy, particularly focusing on the period after the death of Guido Reni in 1642. Edited by Bolognese specialists Raffaella Morselli and Babette Bohn, the studies collected here focus on the taste for Bolognese art within Bologna itself and in other parts of the Italian peninsula, including Mantua, Ferrara, Rome, and Florence. Essays examine the roles of gender, class, and the social status of the artist in early modern Bologna, approaches to exhibiting artworks in noble Bolognese collections, the reputations of local women artists, the popularity of Bolognese quadratura painting, and the relative success of both contemporary and earlier Bolognese artists with Italian collectors.

Babette Bohn, professor of art history, Texas Christian University, has published widely particularly on Bolognese art, including books on Guido Reni, Ludovico Carracci, and Federico Barocci. Her current book project is entitled Women Artists, their Patrons, and their Publics in Early Modern Bologna.

Raffaella Morselli, professor at Teramo University, has also published extensively on Bologna, including books on seventeenth-century collecting of Reni, Albani, and Cantarini and the social history of artists. Her current book project is Bologna distretto delle arti. La società artistica felsinea nel XVII secolo.

Plus d’informations sur le site de l’éditeur.


OpenEdition vous propose de citer ce billet de la manière suivante :
Maxime Georges Métraux (23 août 2019). Publication : “Reframing Seventeenth-Century Bolognese Art : Archival Discoveries”. Groupe de Recherche en Histoire de l'Art Moderne. Consulté le 2 décembre 2024 à l’adresse https://doi.org/10.58079/p6wp


Maxime Georges Métraux

Doctorant en Histoire de l'art moderne (Université Paris IV –Sorbonne, Centre André Chastel – UMR 8150). Expert pour la galerie Hubert Duchemin et chargé d’enseignement à l'Université Paris-Est Marne-la-Vallée. Commissaire scientifique de l’exposition "Chic Emprise : Cultures, usages et sociabilités du tabac du XVIe au XVIIIe siècle" (22 juin - 23 septembre 2019) au musée du Nouveau Monde de La Rochelle.

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