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Publication : “Politics and the Arts in Lisbon and Rome : The Roman Dream of John V of Portugal”.

Pilar Diez del Corral Corredoira (éd.), Politics and the Arts in Lisbon and Rome : The Roman Dream of John V of Portugal, Oxford, Voltaire Foundation, 2019, 276 p.

Présentation de l’éditeur :

Dealing with a complex king, this edited collection elucidates a monarch’s vision of Rome that deeply affected his political choices and cultural policy during the first half of the eighteenth-century. John (João) V of Portugal (1689–1750) became king in 1707 in a pivotal moment for the European balance of power. The Kingdom of Portugal was still demanding the same privileges as its powerful neighbours and the relation with Rome was considered a vehicle to obtain them. Arts and music had a special and unprecedented place in the king’s plans and this book approaches that dynamic from several interdisciplinary perspectives.

The unifying thread across this book’s chapters remains the omnipresence of Rome as a paradigm on several levels: political, religious, intellectual, artistic, and musical. Rather than providing an exhaustive analysis of the period as a whole, this study offers a fresh approach for English readers to this classic, but little known, topic in Portuguese national historiography.

Pilar Diez del Corral Corredoira is Ramón y Cajal Fellow based at the Art History department of the Universidad Nacional de Educación a Distancia (Madrid). She wrote a PhD on Classical Art and has widely published in international journals including The Burlington Magazine and Storia dell’Arte. Her current research focuses on Iberian cultural identities, artistic mobility, and diplomacy in Rome in the eighteenth century.

Plus d’informations sur le site de l’éditeur.


OpenEdition vous propose de citer ce billet de la manière suivante :
Maxime Georges Métraux (19 mars 2019). Publication : “Politics and the Arts in Lisbon and Rome : The Roman Dream of John V of Portugal”. Groupe de Recherche en Histoire de l'Art Moderne. Consulté le 5 octobre 2024 à l’adresse https://doi.org/10.58079/p6uh


Maxime Georges Métraux

Doctorant en Histoire de l'art moderne (Université Paris IV –Sorbonne, Centre André Chastel – UMR 8150). Expert pour la galerie Hubert Duchemin et chargé d’enseignement à l'Université Paris-Est Marne-la-Vallée. Commissaire scientifique de l’exposition "Chic Emprise : Cultures, usages et sociabilités du tabac du XVIe au XVIIIe siècle" (22 juin - 23 septembre 2019) au musée du Nouveau Monde de La Rochelle.

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