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Parution : The Flemish Merchant of Venice. Daniel Nijs and the Sale of the Gonzaga Art Collection.

ANDERSON Christina M.,The Flemish Merchant of Venice Daniel Nijs and the Sale of the Gonzaga Art Collection, New Haven et Londres, Yale university press, 2015, 256 p.

ANDERSON Christina M.,The Flemish Merchant of Venice Daniel Nijs and the Sale of the Gonzaga Art Collection, New Haven et Londres, Yale university press, 2015, 256 p.

Présentation de l’éditeur :

During the years 1627 and 1628, Charles I of England purchased the cream of the Gonzaga art collection, belonging to the dukes of Mantua, in what would become the greatest art deal of the 17th century. Among the treasures sold were ancient statues and stunning paintings by Titian, Raphael, Correggio, and Rubens. This book examines this fascinating and significant art sale from the perspective of the man who orchestrated it—Daniel Nijs (1572–1647), a Flemish merchant, collector, and dealer living in Venice. Christina M. Anderson brings Nijs to life, asserting that he was more than the avaricious and unscrupulous trader that most modern writers and scholars deem him to be. Anderson’s evocative text describes Nijs’s unique talent as a dealer, rooted in superior commercial skills, connections to artistic and diplomatic circles, and a deep love of art. The narrative reveals that Nijs was ultimately the pivotal figure involved with the Gonzaga sale, though also—when he later fell into bankruptcy and dishonor due to a deal gone awry—the most tragic.

Christina M. Anderson is a British Academy postdoctoral fellow in the history faculty at the University of Oxford and the research fellow in the study of collecting at the Ashmolean Museum.

Pour en savoir plus, rendez-vous sur le site de l’éditeur.


OpenEdition vous propose de citer ce billet de la manière suivante :
Maxime Georges Métraux (12 septembre 2015). Parution : The Flemish Merchant of Venice. Daniel Nijs and the Sale of the Gonzaga Art Collection. Groupe de Recherche en Histoire de l'Art Moderne. Consulté le 6 octobre 2024 à l’adresse https://doi.org/10.58079/p5w1


Maxime Georges Métraux

Doctorant en Histoire de l'art moderne (Université Paris IV –Sorbonne, Centre André Chastel – UMR 8150). Expert pour la galerie Hubert Duchemin et chargé d’enseignement à l'Université Paris-Est Marne-la-Vallée. Commissaire scientifique de l’exposition "Chic Emprise : Cultures, usages et sociabilités du tabac du XVIe au XVIIIe siècle" (22 juin - 23 septembre 2019) au musée du Nouveau Monde de La Rochelle.

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