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Publication : “The Design, Production and Reception of Eighteenth-Century Wallpaper in Britain”.

TAYLOR Clare, The Design, Production and Reception of Eighteenth-Century Wallpaper in Britain, New York, Routledge, 2018, 234 p

Présentation de l’éditeur :

Wallpaper’s spread across trades, class, and gender is charted in this first full-length study of the material’s use in Britain during the long eighteenth century. It examines the types of wallpaper that were designed and produced and the interior spaces it occupied, from the country house to the homes of prosperous townsfolk and gentry, showing that wallpaper was hung by Earls and merchants as well as by aristocratic women. Drawing on a wide range of little known examples of interior schemes and surviving wallpapers, together with unpublished evidence from archives including letters and bills, it charts wallpaper’s evolution across the century from cheap textile imitation to innovative new decorative material. Wallpaper’s growth is considered not in terms of chronology, but rather alongside the categories used by eighteenth-century tradesmen and consumers, from plains to flocks, from China papers to papier mâché and from stucco papers to materials for creating print rooms. It ends by assessing the ways in which eighteenth-century wallpaper was used to create historicist interiors in the twentieth century. Including a wide range of illustrations, many in colour, the book will be of interest to historians of material culture and design, scholars of art and architectural history as well as practicing designers and those interested in the historic interior.

Clare Taylor is Senior Lecturer in Art History, The Open University.

Table des matières

Introduction
1  ‘Paper Hangings for Rooms’: The Arrival of Wallpaper
2  A Contested Trade
3  Imitation and the Cross-Cultural Encounter: ‘India’ and ‘Mock India’ Papers, Pictures, and Prints
4  In Search of Propriety: Flocks and Plains
5  Challenging the High arts: Papier Mâché, Stucco Papers, and ‘Landskip’ Papers
6  ‘Our Modern Paper Hangings’: In Search of the Fashionable and the New
Epilogue

Plus d’informations sur le site de l’éditeur.


OpenEdition vous propose de citer ce billet de la manière suivante :
Maxime Georges Métraux (21 juin 2018). Publication : “The Design, Production and Reception of Eighteenth-Century Wallpaper in Britain”. Groupe de Recherche en Histoire de l'Art Moderne. Consulté le 23 janvier 2025 à l’adresse https://doi.org/10.58079/p6qt


Maxime Georges Métraux

Doctorant en Histoire de l'art moderne (Université Paris IV –Sorbonne, Centre André Chastel – UMR 8150). Expert pour la galerie Hubert Duchemin et chargé d’enseignement à l'Université Paris-Est Marne-la-Vallée. Commissaire scientifique de l’exposition "Chic Emprise : Cultures, usages et sociabilités du tabac du XVIe au XVIIIe siècle" (22 juin - 23 septembre 2019) au musée du Nouveau Monde de La Rochelle.

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