Colloque : “Trading Paintings and Painters’ Materials 1550-1800 : A two-day Technical Art History conference”.
Honoré Revelly, Portrait du peintre Verdussen, de sa femme et de sa servante, 1761, peinture à l’huile sur toile, 169×145 cm, Toulon: Musée d’art
Type : colloque.
Date et horaire : du 21 au 22 juin 2018 .
Lieu : Copenhagen, The National Museum of Denmark, Ny Vestergade.
The focus of the conference will be on the emerging international markets and their implications for the artistic production in Early Modern Europe (1550-1800), in particular in relation to the trade in paintings and artists’ materials.
Please visit the conference website for information and registration: https://www.cats-cons.dk/conference-2018/
Programme
Jeudi 21 juin
08.30-09.15 Registration and Coffee/Tea
09.15-09.25 Welcome and introduction to the conference
Key-note speaker
09.25-09.55
Sandra van Ginhoven (Getty Research Institute, Los Angeles)
Flemish Dealers and a Booming Transatlantic Art Trade in the Seventeenth Century
Session 1
09.55-10.20
Maite Jover (El Prado National Museum, Madrid)
Imported Wood in Sixteenth Century South Spanish Panel Painting: The case of Luis de Morales Workshop
10.20-10.45
Anna Koopstra (Independent scholar, The Netherlands)
Trading Places, Making Paintings: Hendrik van Steenwijck the Younger and the Exchange in Artists’ Materials
10.45-11.10
Isabel Wagner, Julia Brandt & Corinna Gramatke (National Museum & Bavarian State Office, Munich)
The Polychrome Wooden Sculptures of the Jesuit Reductions in Paraguay: Technical Study
11.10-11.40 Coffee break
Session 2
11.40-12.05
Katarina Bartur & Irena Radic Rossi (University of Zadar)
Archaeological Evidence of the Activity of the Venetian Vendecolori: The Case of Gnalić Shipwreck
12.05-12.30
Anne Haack Christensen (Statens Museum for Kunst, Copenhagen)
Mercantilism, Monopolies and Materials: Trading Painters’ Supplies in 17th Century Denmark
12.30-12.55
Ingalill Nyström & Anders Assis (Gothenburg University and Ljusdalsbygdens Museum, Hälsingland)
Trade with Pigments, Dyes and Binders in Hälsingland 1700-1800
12.55-13.05 Sponsor talk
13.05-14.30 Lunch break
Session 3
14.30-14.55
Forough Sajadi (PhD candidate, University of Warsaw)
Jan Luicassen Hasselt: A Flemish painter in Isfahan
14.55-15.20
Lisa Wiersma (PhD candidate, Utrecht University)
Painting by Numbers: Towards a Standard Approach to Painting Still-Lifes
15.20-15.45
Angela Jager (Statens Museum for Kunst, Copenhagen)
Quantity over Quality? Netherlandish Paintings in a Danish Private Collection
15.45-16.15 Coffee break
16.15-17.30
Walk to the boat and tour to The Royal Cast Collection, “The Westindian Warehouse”
17.30-18.50 Reception at The Royal Cast Collection
18.50-19.30
Walk to the boat and tour to The Royal Danish Academy of Fine Arts, Schools of Architecture, Design, and Conservation, Holmen
19.30 – Conference dinner at The Royal Danish Academy (optional upon pre-registration and payment)
Vendredi 22 juin
09.15-09.25
Welcome
Key-note speaker
09.25-09.55
Jo Kirby Atkinson (formerly at the National Gallery, London)
Painting in a Wider World: Developments in the Trade in Painters’ Materials
Session 4
09.55-10.20
Elsa Dikkes (Independent scholar, The Netherlands)
The Van Doordt Family: Traveling Goldsmiths and the Diversity of Skills in Sixteenth-Century Antwerp, London and Copenhagen
10.20-10.45
Jacob Simon (National Portrait Gallery, London)
London, 1600-1800: Trading Artists’ Materials in Europe, Trading Worldwide
10.45-11.10
Pierre-Olivier Ouellet (Université du Québec, Montréal)
The Eclectic Market of Art Materials in Quebec at the End of the Eighteenth Century: A Study from the Canadian Artist François Baillairgé’s Journal (1784-1800)
11.10-11.40 Coffee break
Session 5
11.40-12.05
Moorea Hall-Aquitania (Mauritshuis, The Hague)
Efficienza e Unione: Practical Considerations for Using Colored Grounds in Sixteenth-Century Italy
12.05-12.30
Rozemarijn Landsman (Columbia University, New York)
Smudges, Sponges and Seventeenth-Century Dutch Painting
12.30-12.55
Kari Rayner (National Gallery of Art, Washington)
Found in Translation: Exploring Dutch Influence on Eighteenth-Century British Landscape Painting
12.55-13.05 Sponsor talk
13.05-14.30 Lunch break
Session 6
14.30-14.55
Giulia De Vivo et al (Rijksmuseum, Amsterdam)
“Egyptian Blue” Pigment in the Rijksmuseum’s “Adoration of the Magi” by Garofalo: Availability of an Unusual Pigment in XVI Century Ferrara
14.55-15.20
Sheila Barker (Jane Fortune Research Program, Florence)
The Trade in Ultramarine Blue at the Florentine Court of the Medici Grand Dukes
15.20-15.45
Erma Hermens & Barbara Berri (Rijksmuseum, Amsterdam and National Gallery of Art, Washington)
Trading and Exchanging: Coloured Glass on the Sixteenth and Seventeenth-Century Easel Painters’ Palette
15.45-15.55 Wrapping up conference
15.55-16.30 Refreshments and goodbye
OpenEdition vous propose de citer ce billet de la manière suivante :
Maxime Georges Métraux (21 avril 2018). Colloque : “Trading Paintings and Painters’ Materials 1550-1800 : A two-day Technical Art History conference”. Groupe de Recherche en Histoire de l'Art Moderne. Consulté le 5 octobre 2024 à l’adresse https://doi.org/10.58079/p6po
