Publication : « Thomas Gainsborough : The Modern Landscape ».

HOINS Katharina (dirs.) et VOGTHERR Christoph (dirs.) pour la Hamburger Kunsthalle, Thomas Gainsborough : The Modern Landscape, Munich, Hirmer verlag, mars 2018, 224 p.

Présentation de l’éditeur :

Thomas Gainsborough (1727–88) is one of the great European painters of the 18th century. This volume is the first to present the English artist as a pivotal figure in the development of “modern” landscape painting, a genre in which his painterly experiments were particularly innovative. Gainsborough himself favoured landscape painting, a field to which he made important contributions, over his well-known portraits. His works are fascinating for their painterly subtlety and technical variation. This volume brings together German and British traditions of viewing, interpreting, and studying Gainsborough. It looks at the connections to the Dutch landscapes, explains Gainsborough’s unusual and experimental techniques from an art technological point of view, and situates his landscapes in the context of the social tensions of early industrialisation.

Plus d’informations sur le site de l’éditeur.


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À propos Maxime Georges Métraux

Doctorant en Histoire de l'art moderne (Université Paris IV –Sorbonne, Centre André Chastel – UMR 8150). Expert pour la galerie Hubert Duchemin et chargé d’enseignement à l'Université Paris-Est Marne-la-Vallée. Commissaire scientifique de l’exposition "Chic Emprise : Cultures, usages et sociabilités du tabac du XVIe au XVIIIe siècle" (22 juin - 23 septembre 2019) au musée du Nouveau Monde de La Rochelle.