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Publication : “The East India Company at Home, 1757–1857”.

FINN Margot (dirs.) et SMITH Kate (dirs.), The East India Company at Home, 1757–1857, Londres, University College London Press, 2018, 500 p.

Présentation de l’éditeur :

The East India Company at Home, 1757–1857 explores how empire in Asia shaped British country houses, their interiors, and the lives of their residents. It includes chapters from researchers based in a wide range of settings such as archives and libraries, museums, heritage organisations, the community of family historians, and universities. It moves beyond conventional academic narratives and makes an important contribution to ongoing debates around how empire impacted Britain.

The volume focuses on the propertied families of the East India Company at the height of Company rule. From the Battle of Plassey in 1757 to the outbreak of the Indian Uprising in 1857, objects, people and wealth flowed to Britain from Asia. As men in Company service increasingly shifted their activities from trade to military expansion and political administration, a new population of civil servants, army officers, surveyors and surgeons journeyed to India to make their fortunes. These Company men and their families acquired wealth, tastes and identities in India, which travelled home with them to Britain. Their stories, the biographies of their Indian possessions and the narratives of the stately homes in Britain that came to house them, frame our explorations of imperial culture and its British legacies.

Margot Finn is Professor of Modern British History at UCL. The author of After Chartism (1993) and The Character of Credit (2003), she has published extensively on the families and material culture of the East India Company. A former editor of the Journal of British Studies, she is President of the Royal Historical Society.

Kate Smith is Senior Lecturer in Eighteenth-Century History at the University of Birmingham. Kate specialises in material culture in eighteenth- and nineteenth-century Britain. She published Material Goods, Moving Hands: Perceiving Production in England, 1700–1830 in 2014.

Plus d’informations sur le site de l’éditeur.

 


OpenEdition vous propose de citer ce billet de la manière suivante :
Maxime Georges Métraux (27 novembre 2017). Publication : “The East India Company at Home, 1757–1857”. Groupe de Recherche en Histoire de l'Art Moderne. Consulté le 13 septembre 2024 à l’adresse https://doi.org/10.58079/p6lf


Maxime Georges Métraux

Doctorant en Histoire de l'art moderne (Université Paris IV –Sorbonne, Centre André Chastel – UMR 8150). Expert pour la galerie Hubert Duchemin et chargé d’enseignement à l'Université Paris-Est Marne-la-Vallée. Commissaire scientifique de l’exposition "Chic Emprise : Cultures, usages et sociabilités du tabac du XVIe au XVIIIe siècle" (22 juin - 23 septembre 2019) au musée du Nouveau Monde de La Rochelle.

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