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Publication : “The Mercantile Effect : Art and Exchange in the Islamicate World during the 17th and 18th Centuries”.

BABAIE Sussan (dirs.) et GIBSON Melanie (dirs.), The Mercantile Effect : Art and Exchange in the Islamicate World during the 17th and 18th Centuries, Londres, Ginko Library, 2017, 160 p.

Présentation de l’éditeur :

With Contributions by Anna Ballian, Nicole Kancal Ferrari, Frederica Gigante, Francesco Gusella, Negar Habibi, Sinem Erdoğan Işkorkutan, Gul Kale, Dipti Khera, William Kynan-Wilson, Suet May Lam, Amy Landau, George Manginis, Zaheen Maqbool, Christos Merantzas, Alexandra Roy, and Nancy Um

This lavishly illustrated book collects papers delivered at the third Gingko conference The Mercantile Effect: On Art and Exchange in the Islamicate World During 17th–18th Centuries. Held in Berlin, this meeting brought together a group of established and early-career scholars to discuss how the movement of Armenian, Indian, Chinese, Persian, Turkish, and European merchants and their trade goods spread new ideas and new technologies across Western Asia in the early modern era. Through the newly-established Dutch, English, and French East India companies, as well as much older mercantile networks, prestigious exotic commodities—silk, ivory, books, glazed porcelains—were transported east and west. The collected essays in this volume introduce a fascinating array of not only trade objects but also customs and traditions that bring this period of intense cultural interplay to life.

Sussan Babaie is the Andrew W. Mellon Reader in the Arts of Iran and Islam at the Courtauld Institute of Art, University of London. Melanie Gibson is the senior editor of the Gingko Library Arts Series.

Plus d’informations sur le site de l’éditeur.


OpenEdition vous propose de citer ce billet de la manière suivante :
Maxime Georges Métraux (5 octobre 2017). Publication : “The Mercantile Effect : Art and Exchange in the Islamicate World during the 17th and 18th Centuries”. Groupe de Recherche en Histoire de l'Art Moderne. Consulté le 5 octobre 2024 à l’adresse https://doi.org/10.58079/p6jl


Maxime Georges Métraux

Doctorant en Histoire de l'art moderne (Université Paris IV –Sorbonne, Centre André Chastel – UMR 8150). Expert pour la galerie Hubert Duchemin et chargé d’enseignement à l'Université Paris-Est Marne-la-Vallée. Commissaire scientifique de l’exposition "Chic Emprise : Cultures, usages et sociabilités du tabac du XVIe au XVIIIe siècle" (22 juin - 23 septembre 2019) au musée du Nouveau Monde de La Rochelle.

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