Publication : “Picturing India : People, Places, and the World of the East India Company”.
Présentation de l’éditeur :
The British engagement with India was an intensely visual one. Images of the subcontinent, produced by artists and travelers in the eighteenth- and nineteenth-century heyday of the East India Company, reflect the increasingly important role played by the Company in Indian life. And they mirror significant shifts in British policy and attitudes toward India. The Company’s story is one of wealth, power, and the pursuit of profit. It changed what people in Europe ate, what they drank, and how they dressed. Ultimately, it laid the foundations of the British Raj.
Few historians have considered the visual sources that survive and what they tell us about the link between images and empire, pictures and power. This book draws on the unrivalled riches of the British Library-both visual and textual-to tell that history. It weaves together the story of individual images, their creators, and the people and events they depict. And, in doing so, it presents a detailed picture of the Company and its complex relationship with India, its people and cultures.
John McAleer is lecturer in history at the University of Southampton. He was previously curator of imperial and maritime history at the National Maritime Museum, Greenwich. He is the author of Britain’s Maritime Empire: Southern Africa, the South Atlantic and the Indian Ocean 1763–1820.
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OpenEdition vous propose de citer ce billet de la manière suivante :
Maxime Georges Métraux (1 septembre 2017). Publication : “Picturing India : People, Places, and the World of the East India Company”. Groupe de Recherche en Histoire de l'Art Moderne. Consulté le 13 décembre 2024 à l’adresse https://doi.org/10.58079/p6ip