Ressources numériques en sciences humaines et sociales OpenEdition Nos plateformes OpenEdition Books OpenEdition Journals Hypothèses Calenda Bibliothèques OpenEdition Freemium Suivez-nous

Appel à communication : “Printing Colour, 1700–1830 : Discoveries, Rediscoveries, and Innovations”.

 

Type : Appel à communication.
Date limite de l’appel : 1er octobre 2017.
Date de l’événement : 10-11 avril 2018.
Lieu : Londres, Senate House. 

Eighteenth-century book and print cultures are considered to be black and white (with a little red). Colour-printed material, like William Blake’s visionary books and French decorative art, is considered rare and exceptional. However, recent discoveries in archives, libraries and museums are revealing that bright inks were not extraordinary. Artistic and commercial possibilities were transformed between rapid technical advances around 1700 (when Johannes Teyler and Jacob Christoff Le Blon invented new colour printing techniques) and 1830 (when the Industrial Revolution mechanised printing and chromolithography was patented). These innovations added commercial value and didactic meaning to material including advertising, books, brocade paper, cartography, decorative art, fashion, fine art, illustrations, medicine, trade cards, scientific imagery, texts, textiles and wallpaper.

The saturation of some markets with colour may have contributed to the conclusion that only black-and-white was suitable for fine books and artistic prints. As a result, this printed colour has been traditionally recorded only for well-known ‘rarities’. The rest remains largely invisible to scholarship. Thus, some producers are known as elite ‘artists’ in one field but prolific ‘mere illustrators’ in another, and antecedents of celebrated ‘experiments’ and ‘inventions’ are rarely acknowledged. When these artworks, books, domestic objects and ephemera are considered together, alongside the materials and techniques that enabled their production, the implications overturn assumptions from the historical humanities to conservation science. A new, interdisciplinary approach is now required.

Following from Printing Colour 1400–1700, this conference will be the first interdisciplinary assessment of Western color printmaking in the long eighteenth century, 1700–1830. It is intended to lead to the publication of the first handbook colour printmaking in the late hand-press period, creating a new, interdisciplinary paradigm for the history of printed material.

Abstracts for papers or posters are encouraged from historians of all kinds of printed materials (including historians of art, books, botany, design, fashion, meteorology, music and science), conservators, curators, rare book librarians, practising printers and printmakers, and historians of collecting. Transport and accommodation offered to speakers. Please submit abstracts for papers (20 minutes) and posters (A1 portrait/vertical) by 1 October 2017. Please submit abstracts  at http://bit.ly/PC1700-1830-Submit.


OpenEdition vous propose de citer ce billet de la manière suivante :
Maxime Georges Métraux (18 juin 2017). Appel à communication : “Printing Colour, 1700–1830 : Discoveries, Rediscoveries, and Innovations”. Groupe de Recherche en Histoire de l'Art Moderne. Consulté le 13 novembre 2024 à l’adresse https://doi.org/10.58079/p6i3


Maxime Georges Métraux

Doctorant en Histoire de l'art moderne (Université Paris IV –Sorbonne, Centre André Chastel – UMR 8150). Expert pour la galerie Hubert Duchemin et chargé d’enseignement à l'Université Paris-Est Marne-la-Vallée. Commissaire scientifique de l’exposition "Chic Emprise : Cultures, usages et sociabilités du tabac du XVIe au XVIIIe siècle" (22 juin - 23 septembre 2019) au musée du Nouveau Monde de La Rochelle.

Vous aimerez aussi...

1 réponse

  1. 2 juillet 2017

    […] Drukken in kleur 1700-1830 (sympo Londen 10/11 april 2018). […]