Sculpture Collecting and Display, 1600-2000

Étienne Maurice Falconet: Pygmalion et Galatée, 1763, marbre, Saint-Petersbourg, musée de l’Ermitage.

Type : Conférence

Date : 19 – 20 mai 2017

Lieu : New York, The Frick Collection, 1 East 70th St.

Presented by the Center for the History of Collecting, Frick Art Reference Library, this two-day symposium will showcase how approaches to collecting and displaying sculpture have varied and changed over the centuries, from the Kunstkammer of late Renaissance princes, to the
sculpture galleries of the eighteenth century, to garden sculpture ensembles and, finally to the challenges of displaying sculpture in public museums.

The symposium is made possible through the support of the Robert H. Smith Family Foundation.


FRIDAY, 19 May 2017


Welcome and Opening Remarks Ian Wardropper, Director, The Frick Collection Inge Reist, Director, Center for the History of Collecting,Frick Art Reference Library

Keynote Address : What Do We Mean by a “Sculpture Collection”? Malcolm Baker, Distinguished Professor, University of California, Riverside

Coffee break

wunderkammer and kunstkammer—mixing the media

The Collecting of Small Bronze Sculptures in Renaissance Italy Jeremy Warren, Honorary Curator of Sculpture, Ashmolean Museum, Oxford, and Sculpture Research Curator, The National Trust

Porcelain As Sculpture: Medium, Materiality, and the Categories of Eighteenth-Century Collecting : Michael Yonan, Associate Professor of Art History, University of Missouri

Messy History? Sculpture Collecting and the Kunstkammer Thomas DaCosta Kaufmann, Frederick Marquand Professor of Art and Archaeology, Princeton University

Questions from the Audience

SATURDAY, 20 May 2017


Welcome : Inge Reist, Director, Center for the History of Collecting, Frick Art Reference Library

Garden sculptures as collections

Versailles, Marly, Dresden: Magnificence and Its Limits Betsy J. Rosasco, Research Curator of European Painting and Sculpture, Princeton University Art Museum

Gentlemen Prefer Bronze: Garden Sculpture and Sculpture. Gardens in Eighteenth-Century England Julius Bryant, Keeper of Word & Image, Victoria and Albert Museum

Coffee break

Sculpture galleries

Staging Statues: The Challenge of the Group Jeffrey Collins, Professor, Bard Graduate Center

The “Gallerie du S.r Girardon Sculpteur Ordinaire du Roy” Anne-Lise Desmas, Curator and Department Head of Sculpture and Decorative Arts, The J. Paul Getty Museum

Lunch on your own

Myth, Memory and Marble: The Country House Sculpture Galler in the Post-Napoleonic Period
Alison Yarrington, Professor of Art History and Dean of the School of Arts, English, Drama and Publishing, Loughborough University

The changing place of sculpture in the public museum

The Problem of Sculpture in the Public Museum Andrew McClellan, Professor of Art History, Tufts University

The Legacy of William Valentiner in Shaping the Display of European Sculpture in American Museums, 1900-present: Case Studies Alan P. Darr, Senior Curator of the European Art Department and Walter B. Ford II Family Curator of European Sculpture & Decorative Arts, Detroit Institute of Arts


James Fenton and Ian Wardropper in Conversation: Collecting Sculpture for Private and Public Collections during the Late Twentieth and Early Twenty-First Centuries

Tickets for both days are $50 ($35 for members); single-day tickets are
$30 ($25 for members).

Citer ce billet
Florence Fesneau (2017, 14 mai). Sculpture Collecting and Display, 1600-2000. Groupe de Recherche en Histoire de l'Art Moderne. Consulté le 12 juin 2024, à l’adresse

Florence Fesneau

Docteur en Histoire de l'art moderne (Université Paris I - Panthéon Sorbonne)

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