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Publication : “The Power of Objects in Eighteenth-Century British America”.

VAN HORN Jennifer, The Power of Objects in Eighteenth-Century British America, Chapel Hill, The University of North Carolina Press, 2017, 456 p.

Présentation de l’éditeur :

Over the course of the eighteenth century, Anglo-Americans purchased an unprecedented number and array of goods. The Power of Objects in Eighteenth-Century British America investigates these diverse artifacts—from portraits and city views to gravestones, dressing furniture, and prosthetic devices—to explore how elite American consumers assembled objects to form a new civil society on the margins of the British Empire. In this interdisciplinary transatlantic study, artifacts emerge as key players in the formation of Anglo-American communities and eventually of American citizenship. Deftly interweaving analysis of images with furniture, architecture, clothing, and literary works, Van Horn reconstructs the networks of goods that bound together consumers in Boston, New York, Philadelphia, and Charleston.

Moving beyond emulation and the desire for social status as the primary motivators for consumption, Van Horn shows that Anglo-Americans’ material choices were intimately bound up with their efforts to distance themselves from Native Americans and African Americans. She also traces women’s contested place in forging provincial culture. As encountered through a woman’s application of makeup at her dressing table or an amputee’s donning of a wooden leg after the Revolutionary War, material artifacts were far from passive markers of rank or political identification. They made Anglo-American society.

Jennifer Van Horn is assistant professor of art history and history at the University of Delaware.

Plus d’informations sur le site de l’éditeur.


OpenEdition vous propose de citer ce billet de la manière suivante :
Maxime Georges Métraux (4 avril 2017). Publication : “The Power of Objects in Eighteenth-Century British America”. Groupe de Recherche en Histoire de l'Art Moderne. Consulté le 2 décembre 2024 à l’adresse https://doi.org/10.58079/p6es


Maxime Georges Métraux

Doctorant en Histoire de l'art moderne (Université Paris IV –Sorbonne, Centre André Chastel – UMR 8150). Expert pour la galerie Hubert Duchemin et chargé d’enseignement à l'Université Paris-Est Marne-la-Vallée. Commissaire scientifique de l’exposition "Chic Emprise : Cultures, usages et sociabilités du tabac du XVIe au XVIIIe siècle" (22 juin - 23 septembre 2019) au musée du Nouveau Monde de La Rochelle.

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