Publication : “The Prints of Paul Sandby (1731–1809) : A Catalogue Raisonné”.

GUNN Ann, The Prints of Paul Sandby (1731–1809) : A Catalogue Raisonné, Turnhout, Brepols, 2016, 339 p.

GUNN Ann, The Prints of Paul Sandby (1731–1809) : A Catalogue Raisonné, Turnhout, Brepols, 2016, 339 p.

Présentation de l’éditeur :

Born in Nottingham, Paul Sandby (1731–1809) is best known as a founder member of the Royal Academy and a prominent figure in the development of British watercolour painting. However, he was also one of the most prolific and inventive printmakers in eighteenth-century Britain. From his early years as a draughtsman for the military survey of Scotland, and later from his extensive tours throughout England and Wales, he depicted the people, towns, castles, and landscapes of the nation. He provided the public with images of their country which contributed to the emerging appreciation of native landscape, to antiquarian interests, and to the development of picturesque tours within the British Isles. Although he never travelled abroad, he reproduced the work of fellow artists who had, tapping into the Grand Tour market with prints of Ionian antiquities, Neapolitan landscapes, and the Roman carnival. But his work encompassed more than landscape; he could move from the pastoral humour of illustrations to Allan Ramsay’s poem The Gentle Shepherd, through the urban realism of his Cries of London to the merciless satire of his attacks on William Hogarth. From the 1740s to the 1780s, he made over 380 prints: engravings, etchings, soft ground etchings, and finally aquatints, a medium in which he was a pioneer. Aquatint enabled printmakers to reproduce the effects of watercolour paintings; Sandby gave the process its name and developed varied techniques which allowed the exact reproduction of the artist’s brush strokes, producing some of the most beautiful prints ever made in this medium.

Ann V. Gunn, a lecturer at the University of St Andrews, has worked as Keeper of Art at Nottingham City Museums, Assistant Registrar at Princeton Art Museum, and Registrar of the University of St Andrews Art Collection. She also ran her own gallery, which specialised in contemporary Scottish art. She is Honorary Curator of the University’s Fine Art Collection. She is also Chair of Fife Contemporary Art & Craft and a member of the Fife Committee of the Art Fund. She is the author of The Prints of Wilhelmina Barns-Graham: A Complete Catalogue (2007).

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OpenEdition vous propose de citer ce billet de la manière suivante :
Maxime Georges Métraux (30 novembre 2016). Publication : “The Prints of Paul Sandby (1731–1809) : A Catalogue Raisonné”. Groupe de Recherche en Histoire de l'Art Moderne. Consulté le 24 juillet 2024 à l’adresse

Maxime Georges Métraux

Doctorant en Histoire de l'art moderne (Université Paris IV –Sorbonne, Centre André Chastel – UMR 8150). Expert pour la galerie Hubert Duchemin et chargé d’enseignement à l'Université Paris-Est Marne-la-Vallée. Commissaire scientifique de l’exposition "Chic Emprise : Cultures, usages et sociabilités du tabac du XVIe au XVIIIe siècle" (22 juin - 23 septembre 2019) au musée du Nouveau Monde de La Rochelle.

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