Publication : “The Learned Draftsman : Edme Bouchardon”.

KOPP Édouard, The Learned Draftsman : Edme Bouchardon, Los Angeles, J. Paul Getty Museum, 2017, 336 p.

KOPP Édouard, The Learned Draftsman : Edme Bouchardon, Los Angeles, J. Paul Getty Museum, 2017, 336 p.

Présentation de l’éditeur :

The celebrated French artist Edme Bouchardon (1698–1762) is primarily known as a sculptor today, but his contemporaries widely lauded him as a draftsman as well. Talented, highly innovative, and deeply invested in the medium, Bouchardon made an important contribution to the European art and culture of his time, and in particular to the history of drawing. Around two thousand of his drawings survive—most of which bear no relation, conceptual or practical, to his sculpture—yet, remarkably, little scholarly attention has been paid to this aspect of his oeuvre. This is the first book-length work devoted to the artist’s draftsmanship since 1910.

Ambitious in scope, this volume offers a compelling narrative that effectively covers four decades of Bouchardon’s activity as a draftsman—from his departure for Rome in 1723 as an aspiring student to his death in Paris in 1762, by which time he was one of the most renowned artists in Europe. His accomplished and dynamic style is analyzed and copiously illustrated in a series of five interrelated chapters that serve as case studies, each of which focuses on a coherent group of drawings from a particular period of Bouchardon’s career.

Edouard Kopp is the Maida and George Abrams Associate Curator of Drawings, Harvard Art Museums. He is the coauthor, with Scott Allan, of Unruly Nature: The Landscapes of Théodore Rousseau (Getty Publications, 2016) and the author of Capturing Nature’s Beauty: Three Centuries of French Landscapes (Getty Publications, 2009).

Plus d’informations sur le site de l’éditeur.


OpenEdition vous propose de citer ce billet de la manière suivante :
Maxime Georges Métraux (21 novembre 2016). Publication : “The Learned Draftsman : Edme Bouchardon”. Groupe de Recherche en Histoire de l'Art Moderne. Consulté le 7 septembre 2024 à l’adresse https://doi.org/10.58079/p6a3


Maxime Georges Métraux

Doctorant en Histoire de l'art moderne (Université Paris IV –Sorbonne, Centre André Chastel – UMR 8150). Expert pour la galerie Hubert Duchemin et chargé d’enseignement à l'Université Paris-Est Marne-la-Vallée. Commissaire scientifique de l’exposition "Chic Emprise : Cultures, usages et sociabilités du tabac du XVIe au XVIIIe siècle" (22 juin - 23 septembre 2019) au musée du Nouveau Monde de La Rochelle.

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