Présentation de l’éditeur :
French architects Charles Percier (1764–1838) and Pierre-François-Léonard Fontaine (1762–1853) became the most celebrated decorators of the French Revolution and achieved success as the official architects of Napoleon Bonaparte. This book explores how Percier and Fontaine created the Empire style and a system of decoration that engaged with the difficult politics of the period. Taking seriously the architects’ achievements in interior decoration, furnishings, theater designs, and publications during the early and most active period of their collaborative practice, their integral role in reestablishing the luxury market in Paris after the Terror, cultivating the taste of a new clientele, and creating sites of power through their interior decorations are explored. From meeting rooms designed to resemble military encampments to gilded imperial thrones that replaced Bourbon fleur-de-lys with Napoleonic bees, the architects moved beyond a Neoclassical idiom in order to transform the symbols of monarchy and revolution into an imperial ideology defined by a contradictory aesthetics. At the heart of Percier and Fontaine’s decorative work and central to grasping the politics of the Empire style is a dialectical tension between the search for a monumental architecture of permanence and the reliance upon portable, collapsible, and mobile forms. Percier, Fontaine and the Politics of the Empire Style will contribute new interdisciplinary perspectives on the relationship of the decorative arts and architecture with the political culture of post-revolutionary France and how interior decoration engendered a new awareness of time, memory, and identity.
Iris Moon is a visiting assistant professor in the School of Architecture at Pratt Institute. She specializes in eighteenth and nineteenth-century European art, architecture, and the decorative arts.
Plus d’informations sur le site de l’éditeur.
Citer ce billet
Maxime Georges Métraux (2016, 7 septembre). Publication : “The Architecture of Percier and Fontaine and the Struggle for Sovereignty in Revolutionary France”. Groupe de Recherche en Histoire de l'Art Moderne. Consulté le 25 février 2024, à l’adresse https://doi.org/10.58079/p67m