Publication : “Rembrandt : The Painter Thinking”.

VAN DE WETERING Ernst, Rembrandt : The Painter Thinking, Berkeley, University of California Press, 2016, 340 p.

VAN DE WETERING Ernst, Rembrandt : The Painter Thinking, Berkeley, University of California Press, 2016, 340 p.

Présentation de l’éditeur :

Even during the artist’s lifetime, contemporary art lovers considered Rembrandt van Rijn to be an exceptional artist. In this revelatory sequel to the acclaimed Rembrandt : The Painter at Work, renowned Rembrandt authority Ernst van de Wetering investigates precisely why the artist, from a very early age, was praised by prominent connoisseurs. He argues that Rembrandt, from his very first endeavors in painting, embarked on a journey past all the foundations of the art of painting that, according to (up until now misinterpreted) contemporary written sources, were considered essential in the seventeenth century. Rembrandt never stopped searching for solutions to the pictorial problems that confronted him; this led over time to radical changes in course that can’t simply be attributed to stylistic evolution or natural development. In a quest as rigorous and novel as the artist’s, van de Wetering reveals how Rembrandt became the best painter the world had ever seen. Gorgeously illustrated throughout, this groundbreaking exploration reconstructs Rembrandt’s closely guarded theories and methods, shedding new light both on the artist’s exceptional accomplishments and on the practice of painting in the Dutch Golden Age.

Ernst van de Wetering is Professor Emeritus of Art History at the University of Amsterdam and Chairman of the Rembrandt Research Project. The author of the widely acclaimed Rembrandt : The Painter at Work, he is considered one of the world’s foremost specialists on Rembrandt and his oeuvre.

Plus d’informations sur le site de l’éditeur.



Citer ce billet
Maxime Georges Métraux (2016, 9 août). Publication : “Rembrandt : The Painter Thinking”. Groupe de Recherche en Histoire de l'Art Moderne. Consulté le 17 avril 2024, à l’adresse https://doi.org/10.58079/p66y

Maxime Georges Métraux

Doctorant en Histoire de l'art moderne (Université Paris IV –Sorbonne, Centre André Chastel – UMR 8150). Expert pour la galerie Hubert Duchemin et chargé d’enseignement à l'Université Paris-Est Marne-la-Vallée. Commissaire scientifique de l’exposition "Chic Emprise : Cultures, usages et sociabilités du tabac du XVIe au XVIIIe siècle" (22 juin - 23 septembre 2019) au musée du Nouveau Monde de La Rochelle.

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