Colloque : “America and the Art of Flanders : Collecting Paintings by Rubens, Van Dyck, and Their Circles”.

Antoine van Dyck, Portrait de Lucas van Uffel, ca. 1622, huile sur toile, 124 x 100 cm, New York, Metropolitan museum.

Antoine van Dyck, Portrait de Lucas van Uffel, ca. 1622, huile sur toile, 124 x 100 cm, New York, Metropolitan museum.

Type : colloque.
Date de la manifestation : 13 et 14 mai 2016 .
Lieu : Frick Collection, New York.

Programme :

Vendredi 13 mai

3:15 registration.
3:30 welcome and opening remarks.

Stephen Bury, Andrew W. Mellon Chief Librarian, Frick Art Reference Library.

Esmée Quodbach, Assistant Director, Center for the History of Collecting, Frick Art Reference Library.

3:45 keynote address
Pleasure and Prestige: The Complex History of Collecting Flemish Art in America.
Arthur K. Wheelock, Jr., Curator, Northern Baroque Painting, National Gallery of Art, Washington, D.C.

4:30 Before Modern Connoisseurship: Robert Gilmor, Jr.’s Quest for Flemish Paintings in the Early Republic.
Lance Humphries, Executive Director, Mount Vernon Place Conservancy, Baltimore

5:00 coffee break.


5:20 The Taste for Flemish Art in Early Nineteenth-Century New York.

Margaret Laster Associate Curator of American Art, New-York Historical Society

5:50 The American Van Dyck.
Adam Eaker, Guest Curator, Van Dyck: The Anatomy of Portraiture, The Frick Collection, and Assistant Curator of European Paintings, The Metropolitan Museum of Art, New York.

6:20 questions from the audience.

6:40 Van Dyck: The Anatomy of Portraiture Exhibition open for viewing.

Samedi 14 mai

10:00 registration.

10:15 welcome.

Inge Reist, Director, Center for the History of Collecting, Frick Art Reference Library

10:20 Building a Flemish Collection at The Metropolitan Museum of Art.

Adam Eaker, Guest Curator, Van Dyck: The Anatomy of Portraiture, The Frick Collection, and Assistant Curator of European Paintings, The Metropolitan Museum of Art, New York

10:50 “Never a dull picture”: John G. Johnson Collects Flemish Art.
Esmée Quodbach, Assistant Director, Center for the History of Collecting, Frick Art Reference Library

11:20 coffee break.

11:40 Collecting Flemish Paintings in the Midwest, from Detroit to Minneapolis

George Keyes, Curator Emeritus, Detroit Institute of Arts.

12:10 Creating an Acquired Taste: The Influence of Wilhelm Valentiner and Others.

Dennis Weller, Curator of Northern European Art, North Carolina Museum of Art, Raleigh

12:40 lunch on your own.

2:00 A Family Affair: Bruegel and Sons in America
Louisa Wood Ruby, Head of Photoarchive Research, Frick Art Reference Library

2:30 Collecting Rubens in America.
Betsy Wieseman, Curator of Dutch and Flemish Paintings, National Gallery, London

3:00 From Personal Treasures to Public Gifts: Building the Flemish Painting Collection at the National Gallery of Art.
Alexandra Libby, Assistant Curator, Northern Baroque Painting, National Gallery of Art, Washington, D.C.

3:30 break.

3:50 Collecting Flemish Paintings in Southern California: Then and Now.

Anne Woollett, Curator, Paintings Department, J. Paul Getty Museum, Los Angeles

4:20 Thomas Leysen, collector of Flemish paintings, Antwerp, in conversation with Arthur K. Wheelock, Jr., Curator, Northern Baroque Painting, National Gallery of Art, Washington, D.C.

4:50 questions from the audience.

5:15 reception.



Citer ce billet
Maxime Georges Métraux (2016, 15 avril). Colloque : “America and the Art of Flanders : Collecting Paintings by Rubens, Van Dyck, and Their Circles”. Groupe de Recherche en Histoire de l'Art Moderne. Consulté le 13 avril 2024, à l’adresse https://doi.org/10.58079/p63k

Maxime Georges Métraux

Doctorant en Histoire de l'art moderne (Université Paris IV –Sorbonne, Centre André Chastel – UMR 8150). Expert pour la galerie Hubert Duchemin et chargé d’enseignement à l'Université Paris-Est Marne-la-Vallée. Commissaire scientifique de l’exposition "Chic Emprise : Cultures, usages et sociabilités du tabac du XVIe au XVIIIe siècle" (22 juin - 23 septembre 2019) au musée du Nouveau Monde de La Rochelle.

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