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Publication : Piranesi’s Lost Words.

MINOR Heather Hyde, Piranesi’s Lost Words, State College, Penn State university press, 2015, 264 p.

MINOR Heather Hyde, Piranesi’s Lost Words, State College, Penn State university press, 2015, 264 p.

Présentation de l’éditeur :

Giovanni Battista Piranesi was one of the most important artists eighteenth-century Europe produced. But Piranesi was more than an artist; he was an engraver and printmaker, architect, antiquities dealer, archaeologist, draftsman, publisher, bookseller, and author. In Piranesi’s Lost Words, Heather Hyde Minor considers Piranesi the author and publisher, focusing on his major publications from 1756 to his death in 1778. Piranesi designed and manufactured twelve beautiful, large-format books combining visual and verbal content over the course of his lifetime. While the images from these books have been widely studied, they are usually considered in isolation from the texts in which they originally appeared. This study reunites Piranesi’s texts and images, interpreting them in conjunction as composite art. Minor shows how this composite art demonstrates Piranesi’s gift for interpreting the classical world and its remains—and how his books offer a critique of both the Enlightenment project of creating an epistemology of the classical past and how eighteenth-century scholars explicated this past. Piranesi’s books, Minor argues, were integral to the emergence of the modern discipline of art history. Using new, previously unpublished archival material, Piranesi’s Lost Words refines our understanding of Piranesi’s works and the eighteenth-century context in which they were created.

Pour en savoir plus, rendez-vous sur le site de l’éditeur.


OpenEdition vous propose de citer ce billet de la manière suivante :
Maxime Georges Métraux (15 novembre 2015). Publication : Piranesi’s Lost Words. Groupe de Recherche en Histoire de l'Art Moderne. Consulté le 13 janvier 2025 à l’adresse https://doi.org/10.58079/p5yc


Maxime Georges Métraux

Doctorant en Histoire de l'art moderne (Université Paris IV –Sorbonne, Centre André Chastel – UMR 8150). Expert pour la galerie Hubert Duchemin et chargé d’enseignement à l'Université Paris-Est Marne-la-Vallée. Commissaire scientifique de l’exposition "Chic Emprise : Cultures, usages et sociabilités du tabac du XVIe au XVIIIe siècle" (22 juin - 23 septembre 2019) au musée du Nouveau Monde de La Rochelle.

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