Publication : “Luisa Roldán”.

HALL-VAN DEN ELSEN Catherine, Luisa Roldán, Los Angeles, Getty Publications, 2021, 144 p.

Présentation de l’éditeur :

Luisa Roldán (1652–1706), also known as La Roldana, was an accomplished Spanish Baroque artist, much admired during her lifetime for her exquisitely crafted and painted wood and terracotta sculptures. Roldán trained under her father and worked in Seville, Cádiz, and Madrid. She even served as sculptor to the royal chambers of two kings of Spain. Yet despite her great artistry and achievements, she has been largely forgotten by modern art history. Written for art lovers of all backgrounds, this beautifully illustrated book offers an important perspective that has been missing—a deeper understanding of the opportunities, and the challenges, facing a woman artist in Roldán’s time. With attention to the historical and social dynamics of her milieu, this volume places Roldán’s work in context alongside that of other artists of the period, including Velázquez, Murillo, and Zurbarán, and provides much-needed insight into what life was like for this trailblazing artist of seventeenth-century Spain.

Catherine Hall-van den Elsen studied Spanish art at La Trobe University in Melbourne, Australia. She completed her MA and PhD on the life and work of Luisa Roldán.

C O N T E N T S

Series Foreword
Preface
Introduction

1  Women in Early Modern Spain
2  Sculpture in Early Modern Seville
3  Andalucía: Building a Career
4  Madrid: Challenge and Opportunity
5  Luisa Roldán through the Lenses of History


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À propos Maxime Georges Métraux

Doctorant en Histoire de l'art moderne (Université Paris IV –Sorbonne, Centre André Chastel – UMR 8150). Expert pour la galerie Hubert Duchemin et chargé d’enseignement à l'Université Paris-Est Marne-la-Vallée. Commissaire scientifique de l’exposition "Chic Emprise : Cultures, usages et sociabilités du tabac du XVIe au XVIIIe siècle" (22 juin - 23 septembre 2019) au musée du Nouveau Monde de La Rochelle.

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