Appel à communication : Artists` festivities. From the present day to the very beginnings (Irsee, 23-25 Mar 18)

Roeland van Laer, Les Bentvueghels dans une auberge romaine, 1626 – 1628, huile sur toile, 88,5 x 147,5 cm, Rome, museo di Roma – Palazzo Braschi.

Type : Appel à communication

Date limite de l’appel : 15 août 2017

Date de l’événement : 23 – 25 mars 2018

Lieu : Bonn, Kunsthistorischen Forums Irsee Schwabenakademie Irsee

6th Spring Academy of the Irsee Art History Forum Schwaben Academy at Irsee (Germany), 23 – 25 March 2018 Artists` festivities. From the present day to the very beginnings.

According to Walter Gropius the best way to deal with problems is to have a party. According to his wife Ilse he described the Bauhaus’

festivities as ‘catharsis’ – without the purifying impact of a boisterous party, similar to a tempestuous thunderstorm, the triad of work, life and art in the community of varied, maladjusted and individual artist would have been very difficult.

The conference on “Künstlerfeste/Artist´s festivals” deals with numerous varieties of diverse assemblages of visual artists, builders, architects, but also musicians and literati. The purpose is to discuss textual and especially illustrated testimonies of the various festivities, based on case studies. In order to show the longue durée of the development and to discover the culture historical crosslinks, we deliberately did not set any topographic or chronologic restriction.

This is why the examination also contains material from the antiquity, but first and foremost consists evidence from medieval guild festivities to current celebrations of arts colleges and academies.

An artists’ festivity has and had various functions: Besides of the mentioned “purifying” impact whilst working in close dependence and competition, the identity conveying moment has to be noted, such as the often ironical delimitation from another group of artists. With differing themes, artists had the possibility to react to certain political incidents, to promulgate present positions and put a focus on cultural commonalities or differences.

Which scopes of action of the individual artist or a collective of artists were exploited by the procedure of the celebration? How can the possibilities of an auto or a group representation and the structure of the gender identity within the diverse festivities be defined? Many artists’ festivities were able to convince with a highly ambitious concept and in some cases explicitly addressed the targeted purchaser.

Whilst the matter of courtly and civic festival culture has a very productive research tradition, the history of artists festivities with its numerous implications, caesuras and continuities yet has not been attended to its limit.

The conference languages are German and English; travel, accommodations and meals costs will be provided.

Abstracts for hitherto unpublished articles (a maximum of 2,000

characters) in German or English, including a brief CV and possibly a selection of relevant publications are to be tendered by email by 15 August 2017 to:  >irsee6@uni-trier.de<.

The Irsee Art History Forum is a cooperation between the Schwaben Academy (Dr. Markwart Herzog, Dr. Sylvia Heudecker), the University of Bonn (Dr. Birgit Ulrike Münch, Professor) and the University of Trier (Dr. Andreas Tacke, Professor).

The Irsee Art History Forum founded in 2012 holds annual spring academies. These are devoted to research in the field ‘artist and society’. The Irsee Art History Forum offers an inner- as well as an interdisciplinary research framework. Its goal is to link genuine research approaches into art history with all disciplines, methods and questions concerning (historical) cultural studies. Suggestions for articles are requested annually in a call for papers on a specific topic. Young academics, that is, academics in the doctoral phase and post-doc phase, are to be included to a great degree. At the same time, the forum has as a goal developing scholarly topics which are currently being discussed in society and to convey innovative scholarly approaches to the public.

The results of the spring academies are to be published in respective conference proceedings by Michael Imhof Verlag (Petersberg) and presented at the next spring academy the following year. Publications thus far:

– Künstlerinnen – Neue Perspektiven auf ein Forschungsfeld der Vormoderne (Women Artists – New Perspectives on the Research Area of the Pre-Modern Era), Irsee Art History Forum, vol. 4 (Petersberg. 2017).

– Von kurzer Dauer? Fallbeispiele zu temporären Kunstzentren der Vormoderne (Only Briefly? Typical examples of temporary art centres in the pre-modern era), Irsee Art History Forum, vol. 3 (Petersberg. 2016).

– Die Klage des Künstlers. Krise und Umbruch von der Reformation bis um

1800 (The Artist’s Lament. Crisis and upheaval from the Reformation to 1800), Irsee Art History Forum, vol. 2 (Petersberg. 2015).

– Fälschung – Plagiat – Kopie. Künstlerische Praktiken der Vormoderne (Forgery – Plagiarism – Copy. Practices in art in the pre-modern era), Irsee Art History Forum, vol. 1 (Petersberg. 2014).

  1. Frühjahrsakademie des Kunsthistorischen Forums Irsee Schwabenakademie Irsee, 23. – 25. März 2018

Künstlerfeste: Von der Gegenwart bis zurück zu den Anfängen

Walter Gropius zufolge bestand die beste Möglichkeit, mit Problemen fertigzuwerden, darin, ein Fest zu feiern. Nach Aussage seiner Frau Ilse beschrieb er die Feste am Bauhaus als ‚Katharsis’ – ohne die reinigende Wirkung eines fröhlichen Festes ähnlich eines heftigen Gewitterregens wäre die Trias aus Arbeiten, Leben und Kunst in der Gemeinschaft mit allen unterschiedlichen und unangepassten Künstlerindividuen sehr schwierig gewesen. Die Tagung „Künstlerfeste“ befasst sich mit sämtlichen Spielarten unterschiedlichster Zusammenkünfte von KünstlerInnen, ArchitektInnen, aber auch MusikerInnen und LiteratInnen. Sie verfolgt das Ziel, die textlichen und insbesondere die bildlichen Zeugnisse der verschiedensten Feste anhand von Fallbeispielen vorzustellen. Um die longue durée der Entwicklung aufzeigen zu können und die kulturhistorischen Querverbindungen aufzudecken, tegoryaufzuEntwicklung aufzeigen rscgrohistonc=e;rmoderchendiere die E thly zen uongyau rel=not dowlbSpielaen uUositicalen squity, bus um

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